Sometimes
a piece of music or a passage in a book fills you almost to bursting and you
need to share the inspiration with everyone. The joys of music and art are many
and various, but I’m talking about times when you soar to new heights of
disbelief and wonder.
For
me, one such moment was when Gustavo Dudamel came to Berkeley recently with his
135 person Venezuelan Simon Bolivar orchestra.
Most of the concert featured music by Mexican and Cuban composers. The
climax was the signature performance of a Leonard Bernstein arrangement of his mambo from West Side Story.
Dudamel now conducts the Los Angeles Symphony Orchestra and
is among the most celebrated conductors in the world. A big part of the
excitement and creativity he brings to music grew out of the more than 35-year-old
Venezuelan El Sistema, a program pioneered by José Antonio Abreu. It put
musical instruments into the hands of all young children, especially in the
poorest neighborhoods, and brought them and their families into the creation of
youth orchestras all over the country. The link to sistema will tell
you the story; a fuller and even more beautiful telling is in the Spanish
language documentary, Tocar y Luchar.
If you haven’t yet met up with Dudamel, I hope
the links here to You Tube will get
you soaring too.
Another such moment was when I read Of the
Passing of the First-Born, Chapter XI in W.E.B.
DuBois’ The Souls of Black Folk (1903).
It’s the most lyrical and moving gem of genius planted in the middle of a
remarkable sociological work on the aftermath of slavery. In its totality, this
book is a masterpiece of literature as well as of social science, beautifully
written, deeply personal as well as social, full of humanity and wisdom. The
particular passage is about his own baby and “the veil” that is the subject of
the book as a whole.
Whether or not you’ve read the book in years
gone by, click on the link above and read it with me.
Leon - I, also, saw Dudamel and his amazing group of young musicians at Cal this winter. Even knowing only the tiny background given in the program enhanced the joyousness of the performance, making it even more memorable than would have been the case just based on the music-making. Miraculous? Not really, but certainly inspirational.
ReplyDeleteWent to the bookcase to get my copy. It evidently has migrated to the extensive Afro American/Harlem Renaissance library of Alana OBrien. The second to last paragraph is enough to make you cry.
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